http://www.clusterflock.org/2006/12/f-for-fake-or-fuckin-poser.html thoughts, questions, original art and content and links to stuff we think is of interest; a group blog dedicated to pretty much everything. by people you would like to meet at a party; proof of intelligent life on the planet; inhabited by Internet hunter gatherers in the pre-apocalyptic realm; a destination that offers constellations of stimulating links to popular (and not so popular) culture; a group blog dedicated to culture: art, design, music, food, architecture, science, travel, movies, books, typography, politics, etc.; inclusive of geezers!; a delightful mixture of orange words and pictures of well, the insides of a stuffed animal–delightful all the same; the social network I never thought I’d join. Mon, 22 Mar 2010 06:03:57 +0000 http://wordpress.org/?v=2.9.2 hourly 1 http://www.clusterflock.org/2006/12/f-for-fake-or-fuckin-poser.html/comment-page-1#comment-3036 Sheila Ryan Wed, 20 Dec 2006 14:23:46 +0000 http://wp.patrickburleson.com/?p=3153#comment-3036 I got the reference (she said in her Lisa Simpson/Hermione Granger voice). I got the reference (she said in her Lisa Simpson/Hermione Granger voice).

]]> http://www.clusterflock.org/2006/12/f-for-fake-or-fuckin-poser.html/comment-page-1#comment-3035 Joshua Conner Wed, 20 Dec 2006 10:55:44 +0000 http://wp.patrickburleson.com/?p=3153#comment-3035 This is pretty H for Harsh. I vote C for Clever - let's reserve the sixth letter of the alphabet for things of WMD's-in-Iraq scale. This is pretty H for Harsh. I vote C for Clever – let’s reserve the sixth letter of the alphabet for things of WMD’s-in-Iraq scale.

]]> http://www.clusterflock.org/2006/12/f-for-fake-or-fuckin-poser.html/comment-page-1#comment-3034 Mark Jones Wed, 20 Dec 2006 04:28:18 +0000 http://wp.patrickburleson.com/?p=3153#comment-3034 The question I should have posed was: Is this an act of Orson Wellesian cinematic sleight of hand, or just another director 'manipulating' himself, though in this case with the use of his feet. The question I should have posed was: Is this an act of Orson Wellesian cinematic sleight of hand, or just another director ‘manipulating’ himself, though in this case with the use of his feet.

]]>