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	<title>Comments on: Page 123</title>
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	<description>thoughts, questions, original art and content and links to stuff we think is of interest; a group blog dedicated to pretty much everything. by people you would like to meet at a party; proof of intelligent life on the planet; inhabited by Internet hunter gatherers in the pre-apocalyptic realm; a destination that offers constellations of stimulating links to popular (and not so popular) culture; a group blog dedicated to culture: art, design, music, food, architecture, science, travel, movies, books, typography, politics, etc.; inclusive of geezers!; a delightful mixture of orange words and pictures of well, the insides of a stuffed animal–delightful all the same; the social network I never thought I’d join.</description>
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		<title>By: Megan</title>
		<link>http://www.clusterflock.org/2008/03/page-123.html/comment-page-1#comment-39298</link>
		<dc:creator>Megan</dc:creator>
		<pubDate>Fri, 21 Mar 2008 16:07:10 +0000</pubDate>
		<guid isPermaLink="false">http://www.clusterflock.org/2008/03/page-123.html#comment-39298</guid>
		<description>From &lt;i&gt;An Arsonist&#039;s Guide to Writer&#039;s Homes in New England&lt;/i&gt;, Brock Clarke:
And what does one do when one finally becomes a grown-ass man? Why, one goes back to the people he&#039;s loved and lost and tells them, as the poet says, the whole truth and nothing but and then refuses to go anywhere until he is forgiven for lying in the first place.  Hopefully it wasn&#039;t past time.  I turned away from the Emily Dickinson House and began to walk back to my van, parked outside my parents&#039; place.</description>
		<content:encoded><![CDATA[<p>From <i>An Arsonist&#8217;s Guide to Writer&#8217;s Homes in New England</i>, Brock Clarke:<br />
And what does one do when one finally becomes a grown-ass man? Why, one goes back to the people he&#8217;s loved and lost and tells them, as the poet says, the whole truth and nothing but and then refuses to go anywhere until he is forgiven for lying in the first place.  Hopefully it wasn&#8217;t past time.  I turned away from the Emily Dickinson House and began to walk back to my van, parked outside my parents&#8217; place.</p>
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		<title>By: Joseph Abrahamson</title>
		<link>http://www.clusterflock.org/2008/03/page-123.html/comment-page-1#comment-39278</link>
		<dc:creator>Joseph Abrahamson</dc:creator>
		<pubDate>Fri, 21 Mar 2008 15:49:48 +0000</pubDate>
		<guid isPermaLink="false">http://www.clusterflock.org/2008/03/page-123.html#comment-39278</guid>
		<description>Noble &lt;em&gt;and&lt;/em&gt; stylish.</description>
		<content:encoded><![CDATA[<p>Noble <em>and</em> stylish.</p>
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		<title>By: Daryl Scroggins</title>
		<link>http://www.clusterflock.org/2008/03/page-123.html/comment-page-1#comment-39239</link>
		<dc:creator>Daryl Scroggins</dc:creator>
		<pubDate>Fri, 21 Mar 2008 14:54:39 +0000</pubDate>
		<guid isPermaLink="false">http://www.clusterflock.org/2008/03/page-123.html#comment-39239</guid>
		<description>p. 123 of Nicholson Baker&#039;s novel &lt;i&gt;The Fermata&lt;/i&gt;, sentences 5 through 8:

(I knew at least that she could read--there was a James Clavell novel and a book on how to get a job in her beach bag.)  But as I wrote onward (about a librarian, a youthful next-door neighbor, and a UPS man, since, being a beginner, I thought I should at least make an attempt to follow the conventions), picking the setting and the physical traits of my few characters pretty much at random, I got interested in what I was doing and found that it was making me want very much to make myself come.  In fact, for the first twenty minutes or so, every time I typed the word &quot;she&quot; or &quot;her&quot; I slowed way down to press the component letters, overcome in the act of placing a feminine pronoun on the page by an almost irresistible need to whale on my bone.  But I denied myself; instead I took off my bathing suit and knelt, crouched over before the typewriter as if I were on a prayer rug, showing the ocean my open ass and udderously self-juggling balls.

Note: I had this book at the top of a stack I was about to trade in for credit at the used books store, but reading this bit at random brought the whole novel back to mind and I now intend to keep it and read it again.  Thanks Brandon!  It&#039;s about a man who finds that he is able to snap a rubberband on his wrist and stop time for everybody but himself. He makes the most of this skill by  indulging himself in many ways--often in ways that resemble the antics found in that old National Lampoon cartoon series &lt;i&gt;The Adventures of Vinny Shinblind, the Invisible Sex Maniac.&lt;/i&gt;  In this scene he has stopped time on the beach, near a young woman who is sunbathing, and he is writing a pornographic story that he will bury in the sand near her trailing left hand.  It will stick up sufficiently, of course, for her to find it and for him--now lying at some distance from her--to watch her read it.</description>
		<content:encoded><![CDATA[<p>p. 123 of Nicholson Baker&#8217;s novel <i>The Fermata</i>, sentences 5 through 8:</p>
<p>(I knew at least that she could read&#8211;there was a James Clavell novel and a book on how to get a job in her beach bag.)  But as I wrote onward (about a librarian, a youthful next-door neighbor, and a UPS man, since, being a beginner, I thought I should at least make an attempt to follow the conventions), picking the setting and the physical traits of my few characters pretty much at random, I got interested in what I was doing and found that it was making me want very much to make myself come.  In fact, for the first twenty minutes or so, every time I typed the word &#8220;she&#8221; or &#8220;her&#8221; I slowed way down to press the component letters, overcome in the act of placing a feminine pronoun on the page by an almost irresistible need to whale on my bone.  But I denied myself; instead I took off my bathing suit and knelt, crouched over before the typewriter as if I were on a prayer rug, showing the ocean my open ass and udderously self-juggling balls.</p>
<p>Note: I had this book at the top of a stack I was about to trade in for credit at the used books store, but reading this bit at random brought the whole novel back to mind and I now intend to keep it and read it again.  Thanks Brandon!  It&#8217;s about a man who finds that he is able to snap a rubberband on his wrist and stop time for everybody but himself. He makes the most of this skill by  indulging himself in many ways&#8211;often in ways that resemble the antics found in that old National Lampoon cartoon series <i>The Adventures of Vinny Shinblind, the Invisible Sex Maniac.</i>  In this scene he has stopped time on the beach, near a young woman who is sunbathing, and he is writing a pornographic story that he will bury in the sand near her trailing left hand.  It will stick up sufficiently, of course, for her to find it and for him&#8211;now lying at some distance from her&#8211;to watch her read it.</p>
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		<title>By: India</title>
		<link>http://www.clusterflock.org/2008/03/page-123.html/comment-page-1#comment-39191</link>
		<dc:creator>India</dc:creator>
		<pubDate>Fri, 21 Mar 2008 14:05:10 +0000</pubDate>
		<guid isPermaLink="false">http://www.clusterflock.org/2008/03/page-123.html#comment-39191</guid>
		<description>My mission is to have a pilcrow in every home by 2012.</description>
		<content:encoded><![CDATA[<p>My mission is to have a pilcrow in every home by 2012.</p>
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		<title>By: Jams</title>
		<link>http://www.clusterflock.org/2008/03/page-123.html/comment-page-1#comment-39136</link>
		<dc:creator>Jams</dc:creator>
		<pubDate>Fri, 21 Mar 2008 12:41:44 +0000</pubDate>
		<guid isPermaLink="false">http://www.clusterflock.org/2008/03/page-123.html#comment-39136</guid>
		<description>&lt;i&gt;The House Of Whacks&lt;/i&gt; by Matthew Branton

He was cold now, deep cold, the chill wedged into his bones as unyieldingly as it lodged in the bricks of his Boston rooming-house for six months of the year. The food sat in his belly like a block of ice. There were thirty-six hours to go, and he was tired. He had no feeling in his hands and he slapped them together, rubbed them hard, forcing blood back into the wooden slabs they’d become, then dug around in his pack for his address book and a stub of pencil.</description>
		<content:encoded><![CDATA[<p><i>The House Of Whacks</i> by Matthew Branton</p>
<p>He was cold now, deep cold, the chill wedged into his bones as unyieldingly as it lodged in the bricks of his Boston rooming-house for six months of the year. The food sat in his belly like a block of ice. There were thirty-six hours to go, and he was tired. He had no feeling in his hands and he slapped them together, rubbed them hard, forcing blood back into the wooden slabs they’d become, then dug around in his pack for his address book and a stub of pencil.</p>
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		<title>By: Joseph Abrahamson</title>
		<link>http://www.clusterflock.org/2008/03/page-123.html/comment-page-1#comment-38784</link>
		<dc:creator>Joseph Abrahamson</dc:creator>
		<pubDate>Fri, 21 Mar 2008 06:46:13 +0000</pubDate>
		<guid isPermaLink="false">http://www.clusterflock.org/2008/03/page-123.html#comment-38784</guid>
		<description>India, my!

I realize now that you are quite the &#182; enthusiast! I hadn&#039;t wanted to look it up at the time yet regretted the omission almost immediately.

Next time, I will not forget!</description>
		<content:encoded><![CDATA[<p>India, my!</p>
<p>I realize now that you are quite the &para; enthusiast! I hadn&#8217;t wanted to look it up at the time yet regretted the omission almost immediately.</p>
<p>Next time, I will not forget!</p>
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		<title>By: Rick Neece</title>
		<link>http://www.clusterflock.org/2008/03/page-123.html/comment-page-1#comment-38486</link>
		<dc:creator>Rick Neece</dc:creator>
		<pubDate>Fri, 21 Mar 2008 03:06:54 +0000</pubDate>
		<guid isPermaLink="false">http://www.clusterflock.org/2008/03/page-123.html#comment-38486</guid>
		<description>&lt;I&gt;Stories in an Almost Classical Mode,&lt;/I&gt; &quot;The Shooting Range.&quot; Harold Brodkey.

Meanwhile, each week, the intimacy deepened in its own way. They found out more about each other. Walter insisted she quit the Communist Party, and Ann did. She received in reply a vaguely threatening letter, but she had not been important to the Party; they had not thought highly of her; she did not hear from them again.</description>
		<content:encoded><![CDATA[<p><i>Stories in an Almost Classical Mode,</i> &#8220;The Shooting Range.&#8221; Harold Brodkey.</p>
<p>Meanwhile, each week, the intimacy deepened in its own way. They found out more about each other. Walter insisted she quit the Communist Party, and Ann did. She received in reply a vaguely threatening letter, but she had not been important to the Party; they had not thought highly of her; she did not hear from them again.</p>
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		<title>By: Dan Pride</title>
		<link>http://www.clusterflock.org/2008/03/page-123.html/comment-page-1#comment-38467</link>
		<dc:creator>Dan Pride</dc:creator>
		<pubDate>Fri, 21 Mar 2008 02:43:26 +0000</pubDate>
		<guid isPermaLink="false">http://www.clusterflock.org/2008/03/page-123.html#comment-38467</guid>
		<description>Did I believe her? Did it matter?  Lolling there on our makeshift narrow bed in a seize of happiness, I would listen to her for hours as she spun out her stories, and smoked her cigarettes, and picked at the callused skin along the side of her feet, now and then glancing at me sidelong, cat-eyed, gauging her effect, wondering how far she could go.

John Banville, &lt;I&gt;Athena&lt;/I&gt;</description>
		<content:encoded><![CDATA[<p>Did I believe her? Did it matter?  Lolling there on our makeshift narrow bed in a seize of happiness, I would listen to her for hours as she spun out her stories, and smoked her cigarettes, and picked at the callused skin along the side of her feet, now and then glancing at me sidelong, cat-eyed, gauging her effect, wondering how far she could go.</p>
<p>John Banville, <i>Athena</i></p>
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		<title>By: Conor Slattery</title>
		<link>http://www.clusterflock.org/2008/03/page-123.html/comment-page-1#comment-38395</link>
		<dc:creator>Conor Slattery</dc:creator>
		<pubDate>Fri, 21 Mar 2008 01:22:50 +0000</pubDate>
		<guid isPermaLink="false">http://www.clusterflock.org/2008/03/page-123.html#comment-38395</guid>
		<description>The Man Without Qualities, Robert Musil:

Once upon a time the nobility, high society, had kept blackmoors. She called to mind charming pictures of sleigh-drives with gaily caparisoned horses, plumed lackeys and frost-white, glittering trees; but this romantic side of high life had long vanished. &quot;Society life has become soulless, nowadays,&quot; she thought.</description>
		<content:encoded><![CDATA[<p>The Man Without Qualities, Robert Musil:</p>
<p>Once upon a time the nobility, high society, had kept blackmoors. She called to mind charming pictures of sleigh-drives with gaily caparisoned horses, plumed lackeys and frost-white, glittering trees; but this romantic side of high life had long vanished. &#8220;Society life has become soulless, nowadays,&#8221; she thought.</p>
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		<title>By: India</title>
		<link>http://www.clusterflock.org/2008/03/page-123.html/comment-page-1#comment-38354</link>
		<dc:creator>India</dc:creator>
		<pubDate>Fri, 21 Mar 2008 00:29:13 +0000</pubDate>
		<guid isPermaLink="false">http://www.clusterflock.org/2008/03/page-123.html#comment-38354</guid>
		<description>Joseph! The HTML code for a pilcrow is &para;. Just so you know.</description>
		<content:encoded><![CDATA[<p>Joseph! The HTML code for a pilcrow is &amp;para;. Just so you know.</p>
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