got to agree with Amy there
i spent 2 years in wemyss bay trying to figure out what to do after school, i loved the light there on the sea as much as i love it here
I love the way you’ve framed this, both literally, on your sketchbook pages, and figuratively, in that rather than labor over reproducing the transitory light of a three-seasons-in-one day, you’ve shown us an aspect of how it might have felt to witness the view from the ferry — or not!
[...] from Wemyss Bay to Rothesay, tv or the view? This sketch posted by Wil Freeman in cluterflock yesterday caught my eye. It was accompanied by one small question: Choice: A or B? {I love this idea [...]
B, please. Lovely.
yes, b. certainly.
C: your view of it, Wil.
got to agree with Amy there
i spent 2 years in wemyss bay trying to figure out what to do after school, i loved the light there on the sea as much as i love it here
the light was amazing on Saturday, it was one of those 3 seasons in one day and even hailed at one point.
Alek, Wemyss bay! Looks like you’re enjoying your travels, great photos clear light
I love the way you’ve framed this, both literally, on your sketchbook pages, and figuratively, in that rather than labor over reproducing the transitory light of a three-seasons-in-one day, you’ve shown us an aspect of how it might have felt to witness the view from the ferry — or not!
B and C! You bet. Did I ever mention that your work–the way you use the black line–recalls Alan Coren’s work to me? (Did I spell his name correctly?)
thanks Cooper.
Who is Alan Coren? Haven’t heard of him at all.
I know of the late Alan Coren who was editor of the defunct Punch — but an illustrator? I’m clueless, too.
[...] from Wemyss Bay to Rothesay, tv or the view? This sketch posted by Wil Freeman in cluterflock yesterday caught my eye. It was accompanied by one small question: Choice: A or B? {I love this idea [...]