Oh, Valerie — not so, not so! I understand your sentiment, I believe, but honestly, there are those of us — mature either in years or experience or both — who have lived long and felt pain. I do know that the photographer, Phil Bebbington, has much experience of life and much experience of pain. Do click on the photo if you are so inclined and take a look at his work.
ok, ok, I should know better – you don’t have to live long in life to understand. You have pay attention and take notes… and just be an honest person. Live an authentic life.
I guess the trouble is, the camera very often does lie. We get a static 1/100th of a second to draw our conclusions from, if indeed we draw them. I guess as the photographer, I draw different conclusions as I get to observe the person either side of the split second.
This photo is one of those occasions when the camera did catch what seemed to be his general mood – so often it does not.
As to whether I am trying to say anything with the photo, not really. I’m just a guy with a camera trying to capture and share what I see.
Thank you, Valerie, Sheila and Cindy – just for looking and leaving words, a photographer rarely knows how other see their work.
If you took this as spontaneously as the description suggests, then I applaud your ability to frame everything — even the benches — as well as you did!
Kelsey, yeah, shot from the hip. I pre-focus, holding the camera at waistband height, get as close as I am able. It’s a kind of game really – I like to take 2 or 3. It’s odd, people are so used to the action of a camera being brought to the eye that they often completely ignore you. Even when they are a little suspicious, logic kicks in and they relax – the framing takes a little practice, but, I usually get what I’m after.
Its clear nobody on this site has lived long enough – to comment!!
I feel his pain.
Valerie
Oh, Valerie — not so, not so! I understand your sentiment, I believe, but honestly, there are those of us — mature either in years or experience or both — who have lived long and felt pain. I do know that the photographer, Phil Bebbington, has much experience of life and much experience of pain. Do click on the photo if you are so inclined and take a look at his work.
And sometimes, as I expect you know, life weighs so heavy as to preclude comment, at least for a while.
But I do believe I understand your feeling.
Phil, this is remarkable. It has a wonderful Cartier Bresson quality. Sad and beautiful.
ok, ok, I should know better – you don’t have to live long in life to understand. You have pay attention and take notes… and just be an honest person. Live an authentic life.
Pain is – after all timeless ~ ageless.
I guess the trouble is, the camera very often does lie. We get a static 1/100th of a second to draw our conclusions from, if indeed we draw them. I guess as the photographer, I draw different conclusions as I get to observe the person either side of the split second.
This photo is one of those occasions when the camera did catch what seemed to be his general mood – so often it does not.
As to whether I am trying to say anything with the photo, not really. I’m just a guy with a camera trying to capture and share what I see.
Thank you, Valerie, Sheila and Cindy – just for looking and leaving words, a photographer rarely knows how other see their work.
He has the face of a kid who got old.
I love that observation, Lucy.
i think its the best you have done…
i am proud you post it and make it
If you took this as spontaneously as the description suggests, then I applaud your ability to frame everything — even the benches — as well as you did!
What Cindy said, says often. Sad and beautiful.
Mesmerizing.
Thanks, guys.
Kelsey, yeah, shot from the hip. I pre-focus, holding the camera at waistband height, get as close as I am able. It’s a kind of game really – I like to take 2 or 3. It’s odd, people are so used to the action of a camera being brought to the eye that they often completely ignore you. Even when they are a little suspicious, logic kicks in and they relax – the framing takes a little practice, but, I usually get what I’m after.