October 1, 2010
shel silverstein’s dark side
I hadn’t realized Shel Silverstein was for grown-ups too.
As a recording artist, Silverstein brought a raspy vocal style (not unlike Tom Waits’s satanic older cousin) that came from his teenage years as a Comiskey Park hot dog vendor. And his firsthand knowledge of various scenes (Greenwich Village Beats, the Chicago folk music world, Nashville’s Music Row) led to a varying array of song styles and production values. By the late 1960s, this songwriting acumen helped Silverstein move into rock circles, thanks in large part to the New Jersey-based Dr. Hook & The Medicine Show.
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I recently found out that in 1998 a group called Old Dogs released a CD of songs written by Shel. Check out the blurb from Amazon:
she never lets me go.
This 2007 interview with Shel’s nephew Mitch Myers might interest you if you get onto a Shel Silverstein kick.
[...] response to Michael’s Silverstein post, I mentioned Shel Silverstein’s nephew Mitch Myers — and then I got to wondering how [...]
Why didn’t I know he wrote “A Boy Named Sue”?
Because I never told you.
I could only skim the Mitch Myers interview for now, but I liked that he described Shel this way, “He was a pretty heavy duty cat.”
I feel that if people can describe you as a “heavy duty cat” and a “wacky songwriting legend” then you’ve done a good job of living.
You said it. Lately I got think about how people might eulogize me, and the phrase that came to mind was, “She was a piece of work.”
‘nother song about lovin’ oneself up…
(guerilla posting whilst on the j – o -b and hopin’ the linky bit is as advertised)
http://www.last.fm/music/Jackson+Browne/_/Rosie