Feeling constrained by the limitations of the Jimi Hendrix Experience trio (which included drummer Mitch Mitchell and bassist Noel Redding), the guitarist had already started working with an eclectic group of musicians.
They included the Buffalo Springfield’s Stephen Stills, drummer Buddy Miles, saxophonist Lonnie Youngblood and bassist Billy Cox, with whom Hendrix had served in the U.S. military.
The resulting sessions, culled from 1968 and 1969, form the basis of “People, Hell and Angels,” co-produced by Janie Hendrix, original engineer and mixer Eddie Kramer and long-time Hendrix historian John McDermott. (via Reuters)
Kevin Ayers passed away Monday. Here’s “Lady Rachel” to listen to whilst remembering:
Scheduled for release December 3/4 on 4AD.
Carnegie Hall opened its 2012-2013 season October 3 with the Chicago Symphony Orchestra performing Carl Orff’s Carmina Burana. Under the direction of Riccardo Muti, the performance featured the Chicago Symphony Chorus and the Chicago Children’s Choir, together with soloists Rosa Feola, Antonio Giovannini, and Audun Iverson.
Everybody pretty much kicked ass, and that’s not Windy City boosterism.
For a few more days, I think, you can listen to the CSO’s Carmina Burana as it aired Wednesday night on WQXR and judge for yourself.
I could wait till the weekend to post this, but why?
Performed live by the Wordless Music Orchestra on Jan. 16, 2008, at the Church of St. Paul the Apostle in New York City.
Originally written in 1969, Gavin Bryars’ first major composition, The Sinking of the Titanic, still sounds just as vital, fresh, and forward-thinking now as it did then. In a concert from the Wordless Music Series, recorded by WNYC, the piece was performed live by the Wordless Music Orchestra on Jan. 16, 2008, at the Church of St. Paul the Apostle in New York City. Conductor Brad Lubman led the ensemble.
Writer and comedian Peter Bergman, best known as a member of the Firesign Theatre, died last night of complications from leukemia. He was 72.
The last time I talked to Peter was a few weeks ago. I’d picked up the Albert Ayler Holy Ghost box set, and there, on one of the live discs recorded in Cleveland in 1966, was Peter introducing the band! I called him up that morning and he excitedly told me about that event and we laughed a lot and I told him that he just HAD to write his autobiography.
“Pete, you’re the ‘Zelig’ of the rock era! You’ve been in a film with Jean-Paul Belmondo and Farrah Fawcett. You coined the terms “love-in.” You smoked a joint with Bob Marley and the Wailers when they were your opening act [True, the Wailers opened for Procter and Bergman in Boston. Pete told me the joint was “arm-sized”!]. You guys gigged with the Buffalo Springfield. You’ve worked with Spike Milligan, and now here you are with Albert Ayler, for god’s sake! I mean, come on! You have to do this!”