(filched from SC’s Twitter: @SCauleyDesign)
Creating Eden, as the line is called, involved tackling an unusual challenge: figuring out how to package a warranty-voiding, specialty-screwdriver-requiring process as something an average person would feel comfortable tackling.
Brisk modern style, in the form of cubist decor and streamlined furniture, provided assistance in the late 1920s and 1930s [to restaurant owners seeking quick customer turnover]. Artist and industrial designer John Vassos, who illustrated the book Phobia, felt he understood psychology well and successfully applied it in his 1931 design of NYC’s Rismont Tea Room, where the tables were a bit too small and chair seats were triangular. “The chairs are comfortable — if one doesn’t sit too long on them,” he wrote. [See photo.]
Uncomfortable chairs would become known in the restaurant industry as “15-minute chairs.” Charles Eames’ fiberglass scoop chair might be an example, offering little possibility of posture realignment.
In this experiment, I drew shapes with ink on one or both of my hands, manipulating my gestures into the corresponding shape to signify an upper-case letter. Then, using the same shape on my hands, I manipulated my gesture or changed the perspective through which the shape is viewed in order to transform the upper-case letter to a lower-case of the same letter.
Beautiful and clever. I look forward to seeing more.