Puttin’ on a Little Dog, inspired by silent film actress Marie Prevost (1898-1937), is a lovely short video by Charles Eadie.
Features a performance by “Jasper”, a cameo by me (as Prevost), and clips from The Godless Girl (1928). Music from “On an Overgrown Path” by Leoš Janáček.
Stolen from Metafilter. I don’t have a MeFi account, so I can’t even favorite things over there, much less comment. So I figured I’d re-pose the question here.
The MeFi thread is great, but bring tissues. I loved this one most:
My uncle, Albert Crary, was an extraordinary man. Not only was he an explorer and scientist of both poles (The Crary Mountains in Antarctica were named by him and the A.P. Crary Science and Engineering Center at McMurdo Station was named fo him) but he gathered stories like no one I’ve ever met. At his public memorial in Washington DC at, I believe, the Cosmos Club, speaker after speaker got up and told about his staunchness, his incredible endurance, but most importantly, they all told a funny story about him: The time he fell off the ice shelf and what he said to the preacher after his rescue when the preacher came looking for a good sermon. The time he went shopping for supplies in South America when they were running a geophysical line across a South American swamp. The time my father put my brother up to calling him and acting like a dumb reporter asking the stupidest questions imaginable about the ice island T3.
Months later, we had a private memorial in his hometown of Canton, New York. One-by-one his nieces, nephews, in-laws and friends got up and told more stories. To all of us he’d been the source of fun, support and laughter when we were growing up – he never let any of us take ourselves too seriously, but he was always there when anyone needed help. When my turn came, I got up, told my story and then said this:
Everyone deserves an Uncle Albert, we were just fortunate enough to have had one.
posted by BillW at 5:23 PM on March 30
(Via the wonderful Ed Yong.)
The good soldier of cinema. I kept calling him that and he kept calling me that. He saw in me a good soldier in cinema. I said you are even more. He was a wounded soldier. He was ill and struggled and was still plowing on relentlessly. And that was completely and utterly admirable and I love him for that.
I recently discovered this singer/songwriter, and I still can’t shake this song. I found the video for this song today and I’m not sure how I feel about the video. One thing I do love is it reminds me of a Monet painting my art history teacher showed today.
I will say he reminds me of Jeff Buckley and Elliott Smith which are two of my favorites.
At what point in your life did you realize that you’re probably never going to be as healthy/attractive/happy/etc. as you once were? Did you have the presence of mind to realize it at the time? Or have you somehow avoided this altogether (i.e. you’re under 30)?
I had my doubts at 30, but now I’m pretty sure I’m officially on the decline. Nothing drastic, but it’s like when you realize your new car isn’t a new car anymore. Except you can’t save up for a new one, or even take out a foolish auto loan.
claims that Hello Kitty heals all hurts.
Hello Kitty has no heart.
If you beat a dead horse long enough, it turns to gold.
Apologies to the horse.
Going to Disney World. Waaaaah!
(Thanks to Daniel Lestarjette.)
From a letter penned in 1993 by my friend Lee, who can now scarcely find words at all.
Steve & I saw Indochine last night. Horrors! I’ve lost the ability to sit still that long even for La Deneuve. When I left the movie I was saying to Steve that it was remarkable how they handled the time in the movie and this blah blah metaphor for the blah blah relationship between France and Indochina and how leaving the Japs out compressed the blah blah and effectively blah blah. This morning I woke up still thinking about it — or seeing it, really — and there on the screen of my mind was the word SONY. No wonder they left out the Greater East Asia Co-Prosperity Sphere. Well, I loved it anyway. A French Gone with the Wind. [April 1993]
A scene deleted from the Beatles’ Magical Mystery Tour. Mr. Cutler in his role as Buster Bloodvessel, performing the song “I’m Going in a Field,” which appears on the 1967 LP Ludo, produced by George Martin.
Thanks to Patrick Widdess for including this clip in his recent appreciation of Ivor Cutler.
Will it make a sound?
Winner of the Open Field Internet Cat Video Festival.
This morning I refereed a fight between a clinically demented woman and her caregiver. At issue: the meaning of the word “cognizant.”
— Sheila Ryan (@Cirinda) September 4, 2012
You are caramel and hot wax. I am a new wool sweater with a bull’s eye on its back. The ladder in the yard climbs high into the air and I go up, up, up. I’m afraid to look down. The ladder stands unsupported as if it’s a flagpole. I remove bandages until the fabric coils like snakes, but nothing within is wrapped except old air. A woman in line at the deli complains: “My feet are killing me and I can’t stand for very long because it hurts my back.” I suggest she should wait instead for service at the shoe store. Strangers don’t appreciate it when you’re trying to be helpful.
Posted to the Dubuque Freecycle list:
Ball pit with a slow leak. Many balls go with it as well.
He began singing “Thoughts of Mary Jane,” and you could hear the sound of the buttons on his jacket hitting the guitar, the sound of the chair creaking, and midway through, just as it seemed like he was getting warmed up and settling into the performance, he changed directions, changed songs. No one could tell if he’d forgotten the chords or lost the words or simply grown bored and decided to move on. He settled into a rolling guitar figure, beautiful and stuttered and strangely uplifting, and he began singing the opening lines to a new song, new to me at least:
Do you curse where you come from?
Do you swear in the night?
For me, browsing the offerings of The Vermont Country Store is a little like clearing out the house of an elderly relative who’s died.
Tender sentiments and pity mingle with embarrassment and faint revulsion.
I built a house all around this day. I inspected the lumber piled in the lean-to, pulled stacks of boards from the moist blackness, planed and trimmed quarter-sawn planks, and checked decades-old Southern yellow pine for squareness and warp. No less than one hundred spiders perished on account of my actions, and for that I’m sorry. Read more
My heart is broke. Thank you Sheila, Joel, MGS and others for trying. I miss all y’all and the y’all who no longer show up here. I know life goes on. Folks move on. It’s all good. I guess. Still, for the record, I miss. XOR
After a conversation with a dear long-time friend who is descending into the murk of what they call dementia, I’m dazed and confused. One of many cruel details: My fading friend introduced me to the works of Iris Murdoch when I was seventeen or so.
I’m all tore up. Listening to Sandy Denny singing By the Time It Gets Dark and snuffling. But trying to smack some sense into my sorry self-pitying self.
Seeking resources above and beyond the obvious. Most especially, looking for help for LGBT couples and for alternatives to traditional nursing home settings. Where? In or near Dallas, Texas. When? Now.
Grateful for whatever thoughts you may share here on clusterflock or via our contact form.
Montreal artist Shelley Miller puts up these pieces of sugar street art that are incredibly detailed. From afar, it resembles the blue and white finesse of Delft ceramic ware, but in reality all of these outdoor murals are made entirely out of frosting and sugar.
I could wait till the weekend to post this, but why?
Performed live by the Wordless Music Orchestra on Jan. 16, 2008, at the Church of St. Paul the Apostle in New York City.
Originally written in 1969, Gavin Bryars’ first major composition, The Sinking of the Titanic, still sounds just as vital, fresh, and forward-thinking now as it did then. In a concert from the Wordless Music Series, recorded by WNYC, the piece was performed live by the Wordless Music Orchestra on Jan. 16, 2008, at the Church of St. Paul the Apostle in New York City. Conductor Brad Lubman led the ensemble.