The crowds look down from above and are fragranced by a rising incense of engine fumes. The point is to thrill the audience, not to scare them. The riders begin by circling the floor, then up on to a ramp, and finally they are riding perpendicular to the wall, arms outstretched, rising and dipping, sometimes high enough to leave tyre marks at the very top, prompting squeals from the crowd. For superstitious reasons, they only ever travel in an anti-clockwise direction. They get so close you could reach out and touch them, make some sort of brief physical connection with that speeding miracle of guts and grace and centrifugal force.
(via The Scotsman)
From the blog of William Wegman, famous photographer of weimaraners:
Brodie began to photograph his travels in 2004 when he acquired an old Polaroid camera. “A friend gave me a Polaroid camera I found on the back seat of her car. I took a photo of the handlebars of my BMX bike and it looked incredible, so I kept taking pictures, it was that simple.” From 2004-2006, Brodie shot exclusively on Polaroid film, earning him the moniker the Polaroid Kidd; a name he would tag on box cars and walls. From 2006 – 2009, Brodie switched to 35mm film. During this five-year span, Brodie rode over 50,000 miles through 46 states documenting the people and places he encountered along the way.
Winter’s not over. You need The Napsack.
(filched from SC’s Twitter: @SCauleyDesign)
In its current form, television offers artists exponentially more time to develop a narrative. Over the course of multiple seasons, TV makers are painting compelling characters and weaving their storylines in significantly more layered and complex ways than filmmakers could ever hope to. And talented people are jumping on the train.
Indeed, if the literary equivalent of film is the short story, the literary equivalent of television series is the novel, and both filmmakers and their audiences are starting to realize it.
(via Neon Tommy)
(via NBCNews PhotoBlog)
Somebody better find the god damned web guy’s email address and get him to change the year on the copyright notice, because lord knows the we’ll be fucked if someone copies and pastes this shit onto another fucking website even though they’re going to anyways if they feel like it, and like this is in any way legally actionable if they do.
Mercedes-Benz G63 AMG 6×6
The Window of the World is a theme park located in the western part of the city of Shenzhen in the People’s Republic of China. It has about 130 reproductions of some of the most famous tourist attractions in the world squeezed into 48 hectares (118 acres). The 108 metre (354 ft) tall Eiffel Tower dominates the skyline and the sight of the Pyramids and the Taj Mahal all in proximity to each other are all part of the appeal of this theme park.