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February 8, 2008

A newly translated interview with Borges

And now that I have committed the indecency of turning eighty-five, I confirm without melancholy that my memory is full of verses and full of books, and I can’t see past the year 1955—I lost my reader’s vision—but if I think about my past life, I think of course about friends, loves also, but I think most of all about books. My memory is full of quotes in many languages, and I think that, returning to philosophy, that we are not enriched by its solutions, as these solutions are doubtful, they are arbitrary, and philosophy does enrich us by demonstrating that the world is more mysterious than we thought. That is, what philosophy offers us isn’t a system. It’s not like someone stated a concrete and transparent piece of knowledge, it’s a series of doubts, and the study of these doubts is a pleasure.

link (marginal revolution)

February 2, 2008

Kenzaburo Oe in “The Art of Fiction,” The Paris Review

From interview no. 195 (Winter 2007):

When I was in my twenties, my mentor Jazuo Watanabe told me that because I was not going to be a teacher or a professor of literature, I would need to study by myself. I have two cycles: a five-year rotation, which centers on a specific writer or thinker; and a three-year rotation on a particular theme. I have been doing that since I was twenty-five. I have had more than a dozen of the three-year periods. When I am working on a single theme, I often spend from morning to evening reading. I read everything written by that writer and all of the scholarship on that writer’s work.

If I am reading something in another language, say Eliot’s Four Quartets, I spend the first three months reading a section such as “East Coker” over and over again in English until I have it memorized. Then I find a good translation in Japanese and memorize that. Then I go back and forth between the two — the original in English and the Japanese translation — until I feel I am in a spiral that consists of the English text, the Japanese text, and myself. From there Eliot emerges.

INTERVIEWER

It’s interesting that you include academic scholarship and literary theory in your reading cycles. In America, literary criticism and creative writing are, for the most part, mutually exclusive.

OE

I respect scholars most of all. Although they struggle in a narrow space, they find truly creative ways of reading certain authors. To a novelist who thinks broadly, such insight gives a sharper way of comprehending an author’s work.

When I read scholarship on Blake or Yeats or Dante, I read it all and I pay attention to the accumulation of differences between scholars. That’s where I learn the most. Every few years a new scholar puts out a book on Dante, and each scholar has his or her own approach or method. I follow each scholar and study that way for a year. Then I follow another scholar for about a year, and so on.


[snip]
iNTERVIEWER

It sounds like when you travel you spend most of your time in your hotel room reading.

OE

Yes, that’s right. I do some sightseeing, but I have no interest in good food. I like drinking, but I don’t like going to bars because I get in fights.


(link)

January 21, 2008

Jorge Luis Borges

Although honors came late in life to Jorge Luis Borges, his unique worldview had begun to emerge even as a child. This program examines the life and literary career of the charismatic Argentine writer, as well as the thematic, symbolic, and mythological underpinnings of his works. Archival interviews with Borges; his mother, Leonor Acevedo de Borges; his second wife, Maria Kodama; and collaborator Adolfo Bioy Casares provide insights into the private Borges, while readings from “The Mirrors,” “Dreamtigers,” “The Plot,” “The South,” “The Aleph,” and other landmarks of Latin American fiction demonstrate his virtuosity as a transformer of experiences.

Link to a 47 minute documentary

January 16, 2008

See the archives . . .

The archives of Cormac McCarthy, below, the Pulitzer Prize-winning novelist, have been bought for $2 million by the Southwestern Writers Collection of Texas State University-San Marcos, The Associated Press reported. The university said the archives included correspondence, notes, drafts and proofs of 11 novels by Mr. McCarthy, 74, who won the Pulitzer for his 2006 novel, “The Road,” and a 1992 National Book Award for “All the Pretty Horses.”

(link, via private correspondence)

Texas State University (nee Southwest Texas State University) is where I earned my masters; the Southwestern Writers' Collection was just getting started when I graduated, so I'm feeling especially proud to know this.

January 6, 2008

The Making of Bear Stories (the chapbook object)

In anticipation of the forthcoming chapbook by J'Lyn Chapman, here's some images, a "chapbook trailer" and a video on the making of Bear Stories. The book will be available soon from Calamari Press.

December 22, 2007

For Cindy

apostrophe.jpg

(link to site)

(link to "another" site I "liked")

December 18, 2007

Lish Edits Carver

Not sure if you guys saw this or not...

Beginners, edited.

December 13, 2007

The Hour Sets

Did I ever mention that before I went to Africa I published this cool little book by Michael Boyko called The Hour Sets?

December 8, 2007

Dear Clusterflock

Amy Hempel...

...your thoughts?

November 14, 2007

A Smut Story

Dear Popular Mechanics,

I’ve enjoyed the reader letters in your magazine since first sneaking a peak at your pages as a boy, but I never thought that one day I would write in with an unbelievable story of my own.

Continue reading "A Smut Story" »